Check our disclaimer or our links or Best books read or our reading archive. |
{ September 2003 }
(09.30.2003)A story about defining one's own path and one's own dignity. In South Africa a rebellious daughter of a rich white investment banker has an affair with an illegal immigrant, a black Muslim who is a car mechanic. When the man is deported, the woman marries him and goes with him to his ancestral village. There she learns and loves the people and the desert, accepting the customs and the primitive conditions.
I found it odd that Gordimer seemed reluctant to name the woman (Julie Summers) or man ('Abdu' who becomes Ibrahim) and never names his homeland. It gives the story the feeling of a myth, though I don't know if that was Gordimer's intent.
However, for beauty of writing and for classic British understatement, I prefer Shackleton's Boat Journey, by Frank Arthur Worsley (introduction by Edmund Hillary) which was my #1 book read in 2002 (see my 2002 best books list). At one point Lansing reports that Worsley was one of only two pessimists in the ice camp (made after abandoning Endurance). Though Lansing's book emphasizes many troubles and privations that Worsley gave scant attention, and to me Worsley sounds quite balanced. And clearly from both books (despite Worsley's modesty in his book) Worsley was a vital to Shackleton's success.
On the down side, it jumps around a bit too much and has a little too much posturing. Not as good as Half Asleep in Frog Pajamas, which was my #4 hit last year from my 2002 best books list.
Mma. Precious Ramotswe, a plump, dignified, and sensible woman, begins her Detective Agency in Botswana. Instead of a single Cristie-esque, monolithic mystery that takes days to resolve, this mystery novel gives you a dozen smaller, interleaved mysteries that add up to more than the simple sum of its parts.
I love the glimpses of African life, especially the traditional. And what a relief to have a protagonist that has integrity, a practical intuition, and a humor that is gentle rather than cutting. (Though I do appreciate her one dark moment of humor when she takes a neighbor's dog "tracking" and then using it as crocodile bait.)
I also enjoyed Alexander McCall Smith's Tears of the Giraffe.
Quotes that Mr. Holbrook highlights include:
"
For each dollar of tax cuts, federal borrowing to finance the tax cuts,
the war on terror and routine government operations will total $3.60 over six years,
Congressional Budget Office data show.
... Citizens for Tax Justice estimates that the 26 million taxpayers on the middle rungs of the income ladder, those making $28,000 to $45,000, are especially hard hit by federal borrowing. Each dollar of tax savings for this group is accompanied by $6.55 of increased federal debt, it estimates. ... In 2007, interest alone on the additional $24,859 of federal debt owed by each family in this group will be more than $1,200, which is more than twice their average $578 of tax savings in 2006. Only the top 1 percent income group comes out ahead, the analysis found. Each dollar of tax cuts for the top 1 percent is offset by just 77 cents of added federal debt. For this group, the tax cuts over six years are worth $236,266 a person on average, while the share of the extra federal debt averages $182,725. ... William G. Gale, a Brookings Institution economist, said ... 'Now federal debt is rising again and a significant chunk is to finance tax cuts for the very wealthiest families, which in my view is not a good reason.' " |
"The first thing we are happy to say about Happy Days is that Mr. Beckett
has consented at last to allow woman her fair share of human futility.
... We had long since taken for granted that in Mr. Beckett's view life's intolerable tedium and pointlessness were noticed only by men and that they alone suffered the grief of being alive and the chagrin of being unable to die. ... Happy Days has corrected this imbalance. ... Women are not men. It is unkind and illegal to suppose that they are. If women were men, marriage would not be the same problem at all. Marriage is a life-long union between two opposing sets of pain. ... What a mercy for the unfortunate man that his wife is buried up to her waist in scorched earth. She cannot take steps to make him hear, which she would certainly do if Mr. Beckett had not had the wisdom to bury her. Wisdom? Well, not wisdom perhaps. Just a small prejudice in favor of his own sex. An appreciation of how much deafness means to a married man. The lengths to which he will go to ensure it." |
The protagonist is Jim, a young crew man, who wants to work hard and be a hero. But when his courage is tested, he jumps from a sinking (though never sunk) ship (The Patna). Jim lands in a lifeboat in which the ship's captain is already fleeing. Back in port, the captain spirits himself away and Jim is left at a show trial to bear all responsibility for abandoning the ship and its passengers. Convinced of his cowardice in this failure to embody his own ideal, Jim begins his search for redemption.
He ends in a backwater of the Malayan Peninsula away from white men. There an undeveloped tribe sees him as a strong and wise protector. For a while he approaches the ideal that he once hoped himself to be, showing how one can regain some self-regard after failure.
The book's narrator is the Marlow of Conrad's "Heart of Darkness," who portrays himself as trying to help Jim and frustrated in not being able to convince him to "forget it and move on." This is one book where I wanted the Hollywood ending. But then it would not be a tragedy, and would not be Conrad.
"The [mountain-seat] ceremony originated in China, where Zen monasteries
were built at high altitudes
and an abbot took the name of the mountain itself." [This, of course, raises the question of whether the poet Han Shan was a self-elevated abbot.] |
Ryushin Paul Haller (a native of Belfast) commented:
"A finely honed sense of tragedy will sustain an Irishman through any period of joy." |
Lew Richmond, in an article on his practice since leaving the Zen Center in 1983, writes:
"There is a tradition in Zen that after your formal training in the monastery is complete
you leave.
You don't just leave to become some famous Zen teacher; you leave to be nobody." |
The designer is Andy Goldsworthy (of Rivers and Tides and "The Storm King Wall" as in the glorious Wall: At Storm King). Schama includes notes on British "land art" that influenced Goldsworthy, especially Richard Long, who has since turned to "solitary, imperially guilt-burdened peregrinations ... in the Andes or the Himalayas."
Meanwhile concerning the 10-ton granite boulders while they were being hollowed for Goldsworthy by Ed Monti with a 4000-degree Fahrenheit kerosene torch:
"Fire cleans as well as sculpts. Shooting flames at granite
not only reënacts primordial geology,
but [it also] converts the incinerations of genocide into the flames of sanctification." |
Other books reviewed in Sue Grafton's series include:
B is for Burglar
O is for Outlaw
R is for Ricochet
What a relief to hear him after too many stogy or confused or wimpy other Democratic leaders.
The talk (with Leon Panetta) will be rebroadcast tonight at 8 p.m. and you can hear it:
(1) either in the California Central Coast area on KAZU at 90.3 fm
(2) or on the web through www.kazu.org.
If you need a boost in your hope and your faith, check it out.
For example, he refers to the Bush tax-the-non-rich strategy as:
"Bad ethics and horrible economics" |
"Never let them call you 'workers'. We are the citizens that are
the sovereigns of this great country."
"... the new pernicious philosophy of greed [in the highest levels of government of the U.S.A. in 2003]." "This [Whitehouse] is the likes of which we have not seen since the robber barons." "The water won't ever clear up till we get the hogs out of the creek." |
This book has lots of murders and a lot of suspects. Kinsey is gutsy and yet not afraid to say when she is scared. Enjoy her wry first-impression comments on many of the people she has to interview. Her insight into the foibles and potential evil of others is enhanced through her own willingness to bend the law.
Other books reviewed in Sue Grafton's series include:
" Hegel, the German philosopher, wrote a lot about that quest for immortality,
that quest to transcend death.
We typically do it in one of three ways: one, we have children or progeny, two, we get obsessed with religion and the immortality of the soul, or three, we try and create a work of art that will go on into the future. " |
"If we want to know what it felt like to be alive at any given moment in the long
odyssey of the race,
it is to poetry that we must turn." "Real poets are not confessional. They're interested in writing books." "End on an image and don't explain it." "Let it happen the way it wants to go. That's the way I always feel about my poems." |
"Your prose broken into poetry: only 75c." |
This month's Utne Magazine ("the best of the alternative Liberal press") includes:
Linton Weeks writes:
" Gluck may prove to be a different kind of laureate from those of recent years. Outgoing laureate Billy Collins was, well, outgoing. 'Some of us have chosen to spend a lot of time running around the country lighting poetry bonfires,' Collins said. He added that he will be curious to see how Gluck will respond to the challenge. 'The job can be tailored to each individual's personality,' he said. ... Born in New York on April 22, 1943, Gluck grew up on Long Island. Her father invented the X-Acto knife. ... One of her best friends is former poet laureate Robert Pinsky, whom she talks to nearly every day. ... Gluck 'is always a few jumps ahead of the cliche,' Pinsky said. He has been struck by her 'ruthless breathtaking originality.' ... Billy Collins ... added: 'I think of her as being like a masseuse-chiropractor who is able to find pain centers. Her poetry is often concerned with detecting centers of psychic pain.' " © 2003 The Washington Post |
The value of self-medication: 3 oz. dark chocolate/day drops the average blood pressure (which was 153/84 in the 2-week study) by -5/-2. [Just remember to cut out those calorie-wasting breads, cakes, sugars, butters, etc. to compensate.]
Chocolate watchers may remember the recent report by researchers at the University of California at Davis: they reviewed studies on chocolate and found a decreased risk of cardiovascular disease associated chocolate. They credit: (1) the main flavonoids in cocoa (flavan-3-ols); (2) oleic acid (third of the fat in chocolate), which is the same monosaturated fat as found in olive oil. [February issue of Journal of the American Dietetic Association.] (08.25.2003)
Initially it's hard to understand Ms. Hickson's pebble-mouthed octogenarian pronunciation, so I jumped to the final tape. Which so interested me that I gradually worked my way backwards.
Yes, I do often read books backwards - endings are usually more interesting than beginnings, so if I don't care for how it ends, why bother? They usually make more sense backwards. It sounds like this is commonly known - just like Catarina writes about NYT:
"... the way to read a New York Times article is to ignore the headline and the lead paragraph, which are mere window dressing, and to skip directly to the conclusion where you can find out what's really going on, down in the cellar and hidden from view." |
" ... A warning on the importance of safely handling ground zero cleanup, due to lead and asbestos exposure, was changed to say that some contaminants had been noted downtown but 'the general public should be very reassured by initial sampling'. " |
I am entranced by Nerdrum's frequent revision of his paintings, so that the reproductions in a book may differ from what you will see should you be lucky enough to actually sit in the presence of his huge canvases.
Nerdrum is a master of painting flesh, light, and the body's liquidities. Vine's essay "Painter Provocateur" recognizes the talents and oddities of Odd. Favorite essay quotes:
" There is more to be learned from earnest than irony." " He [Nerdrum] seems determined to remind us ... that consciousness is isolate,
" The sea, that enduring metaphor for eternity and the fathomless unconscious,
|
It costs Canadian patients less than twice as much as their Eusan cousins because they have a single administrator (the Canadian government) instead of the many [profit greedy, Ed.] private administrators as in USA. The numbers I think I just heard are:
" $1059 in USA per person is spent in the USA on administration 1999 ... [compared with] $307 in Canada." " Health-care administration in American cost 31 cents of every dollar." " The American health-care system is about the size of the economy of France." |
The book's a terrifying bio-thriller from the author of Jurassic Park. Nano-technology is paired with genetic engineering using the gutsy industry standard, a strain of E. coli. Being created using self-learning software based on a predator-prey model, the resulting molecular-engineered "agents" stay "on-task" and are never distracted. A military molecular helicopter (including tiny solar cells and 3 hours of capacitative storage) is created where the assembler (to create more) sits on the bacterium itself. Because the military required memory, the agents can learn!
The resulting hunter molecules evolve to take over Homo sapiens. I had to stay up half the night, biting my nails and settling my nerves with cherry chocolate, listening to the tapes to see if Homo was sapiens enough. Quite pleased to find that the ending is ambiguous. And watch out for E. coli-infected hamburger.
"I don't see genes as constraints.
I see them as enablers.
To some extent, they tell you where your talents lie."
"Learning is a genetic process." [It switches on genes.] "Sense of humor has comparatively lower heritability." "You get your basic personality from your genes plus your peers, but there's not much influence of parents." |
"All author royalties from the sale of this book go to the 'Lolwe' Foundation, which provides aid to women and children in the Third World. 'Lolwe' is the East African Luo tribe's word for the infinite space seen in the west, across Lake Victoria, where the sky meets that water and beyond which lies the world of the gods." |
"... it must have dawned on him ...
that what he had actually created was a factory for the manufacturing of suffering.
That the whole point of the jaguar is that by pushing itself to the breaking point
it should be subjected to a certain number of afflictions which will keep it alive just long
enough for it to mate."
"Several times during the past week or two she had found herself in painful situations and she was starting to discover that, if one bided one's time, something usually turned up." "The ape had not had anything to eat either and it was now on the move, making its way down the stairway, tripping lightly as a ballerina with the wheelchair under its arm. ... at the foot of the stairs it stopped, swathed itself in the traveling blanket, slapped the hat down over its head, seated itself in the wheelchair, drew the veil down into place and bowled through the doorway, heading straight for the party around the table." "... the game reserve that Adam and Eve must have beheld, with its mixture of the fascinating, the thought-provoking, the appalling and the utterly catastrophic ways in which the animal world can develop when left to its own devices." " 'When we go down to the river to drink', he [sic] said, 'sometimes, quite often, the sun appears. Even though that wasn't what we were after. Now and again, when you go looking for something small, you come up with something big.' " "It was over fifteen years since Susan had begun experimenting with the quicksilver of hastily improvised sex and she had developed the reflexes of an explosives expert." "... there is no way the question of the survival of wild animals can be dissociated from that of the insatiable, grasping materialism of the world's wealthiest nations." |
" From the cinder block Fuji-view stand the crow
flies off repeating the round vowel "ah!" to Mount Fuji now risen bright into daybreak, or else - who can say? - "ha! ha! ha! ha! " |
" When you fall in love, my sister said,
it's like being struck by lightning. She was speaking hopefully, to draw the attention of the lightning. I reminded her that she was repeating exactly our mother's formula, which she and I had discussed in childhood, because we both felt that what we were looking at in the adults were the effects not of lightning but of the electric chair." |
Later, section 8 ends:
" You could take a few things with you, like a dowry.
You could take the part of you that thought. 'Marry' meant you should keep that part quiet. " |
and section 13 ends:
" Being struck was like being vaccinated;
the rest of your life you were immune, you were warm and dry. Unless the shock wasn't deep enough. Then you weren't vaccinated, you were addicted. " |
While the poem does sometimes flash with Glück's querulous mode, the sections are intrinsically interesting and there is something hypnotic about the way she uses the sections to start a new topics and/or relate back to previous topics. (08.14.2003)
In 2002, Arizona Governor Janet Napolitano became the first publicly financed governor ever elected. Also, more than a third of Arizona's legislature is "clean".
See Ed Asner's article "Clean Money, Clean Elections for California" in July
18th S.F. Chronicle. Also see www.californiacleanmoney.com.
(08.12.2003)
During the Odd Nerdrum expedition last week, L. took me to
several other galleries. The exhibit that haunts me is
The Look Stains by Brad Brown. The artist's notes include:
"Keeping the work unfinished allowed for a cyclic relationship with the drawings.
I wanted to rid the drawing process of the anxiety of looking for an end. ... when I started to feel that I didn't want to draw on a page anymore, I would alleviate the idea that it was finished by tearing it up ... I would fold the page in half and tear along the fold, ... essentially producing a new group of drawings to work on. ... The body was always growing and always collapsing back in on itself. All of these pages were notated with the date from the time they were introduced into the studio process, and then periodically as I worked on them." |
and:
"Exhibiting THE LOOK STAINS was an extension of the drawing process.
I would essentially draw with the drawings by weaving them into fields that were tacked directly on the gallery wall. Within these fields, all aspects of the studio process were conspicuous. ... These installations were really only 'ideas' that the drawing process produced, and they could never be exhibited the same way twice." |
"If you stay in the tub long enough, someone else will fix dinner." |
"My favorite moment in any piece of music is the moment of maximum
risk and striving.
Whether the venture is tiny or large, loud or soft, fragile or strong, passionate, erratic, ordinary, or eccentric! ... music that is alive and jumps off the page and out of the instrument as if something big is at stake!" |
Last day of the 41st Cabrillo Festival of Contemporary Music . with Maestra Marin Alsop. Includes:
This Festival orchestra has won the American Symphony Orchestra League's nation ASCAP award
for Adventurous Programming of
Contemporary Music every year since the award's inception in 1982.
Next year, plan to buy tickets!
(08.08.2003)
Tag line of B.E.K. cartoon in new
New Yorker (with absolutely no visual reference to Odd N.):
"I don't know if he's a great artist, but he's certainly annoying." |
Then they rehearsed two pieces by Thomas Adès. Thanks to Phil Collins of New Music Works, I began to hear what Thomas Adès is doing. Phil says:
"Adès works with a foreground and background all the time like a painter." |
The background may carry the theme or basis of the piece, perhaps in slow-moving choral melodies. The foreground may be bright and bustling activity but, as in Oz, "don't be distracted".
In rehearsing Adès' "... but all shall be well", Maestra Marin says:
"Percussion and piano and everyone needs to be lighter. You think that your moment is the most important so you make it loud. But your moment is not important. You don't have the tune. Clarinets have it most, but usually it's nowhere. So there should not be highlights. Absolutely nothing happens. Nothing. Nothing." |
Sound like life?
Sound like the painting
"Wanderers by the Sea"
by Odd Nerdrum? Everything happens and nothing happens.
(08.06.2003)
Visited SF for the
Odd Nerdrum
showing at S.F. Weinstein Gallery.
The five oils still there were amazing. Sitting among them was like being in the presence of monarchs.
Facing the door was "Summer Nights" ( 71.2" x 75.5", 2001 ). Interesting to spot some differences from the catalog - Nerdrum (like the rest of us) changes his work even after it is "done".
Opposite it was "Self-Portrait in a Tree Trunk" ( 64.5" x 76.5", 1999-2000). with its anti-physics reflection.
Going upstairs, there were 3 more similarly huge and awesome oils: the bright sunny "Wanderers by the Sea" (2001); "One Blind Singer and Two Dancers" (2001); "Transmission" (2000).
Seven other oils had sold and been removed from the exhibit, which closes tonight.
Odd (from Weinstein catalog) says:
"Avant-garde artists want to shock, want a dialog with society.
I don't. I paint for eternity." "Innovation is of no important. Nor is originality.
|
More Nerdrum paintings are expected at Weinstein in a month.
(08.05.2003)
At today's open rehearsal, the outright winner (among John Adams, Thomas Adès,
and Kevin Puts) is John Adams. His Guide to Strange Places (2001)
is (as the BBC's Pilip Clark's program notes say):
"
a peculiarly different beast to [from?] anything else Adams has written.
The composer himself confesses to being shocked at some of the sounds that he has unleashed and compares his composition to psychoanalysis - 'you start with what you know and use that genetic information to reach something you don't.'" |
Like Maestra Marin Alsop said on Saturday, American composers tend to like big endings. This Adams piece includes about a dozen big and false endings!
An Odd moment - at one point in the open rehearsal of the Adams piece, the hands of the harpist and harpsichordist were in line, doing that synchronous kind of dance that Odd Nerdrum captures in some of his pictures. As Odd's pictures are of strange places, I plan to bring his book to the next open rehearsal of this piece - what a blast to look at his paintings while hearing this music.
Last night, the smash hit of 2nd concert in the Cabrillo Music Festival 2003 Season
was "Frankenstein!!" (1977-79) by H.K. Gruber (b.1943),
with a fabulous performance by chansonnier Joseph Ribeiro of H.C. Artman's
cruel text - like:
"
'tis the merry werewolf's favorite day
merrily he crosses fields winter silence at his heels fur is bristling out in fun freest soul beneath the sun little children, leave your house scurry out quick as a mouse take along some Christmas cake follow in the werewolf's wake " |
"Writing is a search for a voice. ... I was a part-time writer and a full-time procrastinator." |
Last night a terrific opening concert "Blood Sweat and Tears" for the Cabrillo Music Festival 2003 Season. It was gripping. A wonderful combination of music and musicians. My favorite was Michael Daugherty's "Fire and Blood," (2003) with a stunningly agile Yumi Hwang-Williams on violin. Tonight more Daugherty - plus Herch's Symphony #2 (2001) and 2 other composers' work.
(08.01.2003)My 'to read' list includes C's suggestion of Fast Food Nation.
{ July 2003 }
(07.31.2002)Tomkins sees some of the same characteristics in the older and the newer work:
"the willingness to push an idea to extremes, risking failure at every point;
and, underlying the whole enterprise, the ongoing dialogue between the natural world and the world of pure imagination, and the willingness to let the uglier and scarier aspects of both worlds interact with their possibilities of unexpected beauty. " |
Bontecou got her early energy from the "Abstract Impressionist" tradition. She says she was "working in the ... spirit, ... inherited from the Abstract Impressionist." Is she pulling "abstract" art in an analogous direction to how some poets want to influence language poetry?
{ 2002 } (12.31.2002) See the best of the 100 books I read in 2002.
Related pages:
Poetry - Learn How to Write Your Own. Books on Learning Spanish. Forests of California and Trees of the World. |
Check our disclaimer.
Copyright © 2002-2016 by J. Zimmerman. |